渡辺貞夫 – 『Round Trip』（1970年）
ラフィ・マーサー
Sadao Watanabe’s Round Trip, recorded in New York in 1970, is a remarkable fusion of Japanese lyricism and American avant-garde firepower. By this point Watanabe had already established himself as one of Japan’s leading saxophonists, but with Round Trip he positioned himself on an international stage, surrounded by some of the most forward-thinking musicians of the era: Chick Corea on piano, Dave Holland on bass, and Jack DeJohnette on drums. These were players fresh from Miles Davis’s electric experiments, and their energy is palpable.
The title track is expansive, modal, exploratory. Watanabe’s alto saxophone is lyrical, restless, probing. Corea’s piano is percussive, full of angular runs and shimmering clusters. Holland’s bass is muscular, always inventive, while DeJohnette’s drumming is elastic, capable of both thunder and whisper. The interplay is fearless, the musicians pushing one another into new territory while always keeping the thread intact.
Other tracks reveal Watanabe’s range. “Pastoral” is gentler, a melodic meditation that balances intensity with reflection. “Round Trip: Part 2” surges with rhythmic drive, the quartet sparring and conversing with exhilarating freedom. Watanabe never sounds like a guest in this company; he is an equal partner, his alto voice clear and commanding.
On vinyl, the sound is vivid. DeJohnette’s cymbals shimmer and decay into silence, Holland’s bass is resonant and articulate, Corea’s piano is captured with depth, and Watanabe’s alto sings with clarity. In a listening bar, Round Trip is both challenging and rewarding. It commands attention, invites risk, and proves that Japanese jazz was not derivative but innovative, fully part of the international avant-garde.
Fifty years later, the album remains a benchmark. Collectors prize original pressings, but the music itself is timeless — fearless, lyrical, global. Drop the needle and you enter a dialogue that feels as urgent now as it did then.
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